- LIST OF PAPERS
- ART GALLERY
- Event Gallery
- ISEA2011 Program
- Find
- Keynotes
- Exhibitions and Events
- Curatorial Concept ISEA2011 Istanbul
- ISEA2011 Official Opening Party
- Dislocations
- Geometries of the Sublime
- UNCONTAINABLE
- UNCONTAINABLE & Untitled
- UNCONTAINABLE: Broken Stillness
- UNCONTAINABLE: Hyperstrata
- UNCONTAINABLE: Second Nature
- UNCONTAINABLE: Signs of life: robot incubator
- UNCONTAINABLE: Terra Virtualis
- UNCONTAINABLE: The World Is Everything That Is The Case
- ISEA Future Forum
- ISEA General Meeting
- Films, Videos and New Media: A Canadian Overview
- Eco Sapiens Round Table
- DataArt
- Sensual Technologies
- Art & Internet
- "Not There"
- ISEA2011 and Kurye Video: Space Invaders
- Southern Ocean Studies
- Nuru Ziya: ISEA2011 Lounge
- Glitter and Glory: About the Longing for Glamour
- s0: an audiovisual performance
- TERRORDROME. Signals From Outside
- Borusan Contemporary, Perili Köşk İstanbul
- Madde-Işık II
- Phill Niblock and Thomas Ankersmit Performance
- ISEA2011 Istanbul Digital Arts Market: An International Networking Event
- NAME Readymade
- International Digital Media, Animation & Moving Images Screening
- Working Contingencies
- The Beauty & the Geeks
- EMAN / EMARE
- Latin American Forum
- Imaginary Futures
- Southern Mediterranean Forum
- Forbidding Forbidden
- Australian Forum
- Panels
- Art as Media as Display, Biennials as Platform for Social Change
- Secure Insecurity
- Hackerspaces
- New Media Art Education in Central and Eastern Europe in the Last Two Decades
- Visual Effects Remixed
- Sense of Art
- Serendipity is Dead…. Long Live Serendipity
- How dare you? Acts of Deviance and Strategies of Discreditation
- Body Image to/from Media. Rethinking Japanese Avant-Garde Art.
- EAST & WEST
- Serious Animation
- Don’t Anthropomorpise Me
- Open Culture + Wearables
- Soundwwwalk Performance Panel
- Playing the non-playful
- An Alembic of Transformation
- 6x6/36 : An Artists Book/Exhibition project
- Zones of Contact and Fields of Consistency in Electronic Literature
- Beyond Locative: Media Arts after the Spatial Turn
- Through the Roadblocks: Technology and Orality
- Think BETA: Participative Evolution of Smart Cities
- The Matter with Media
- Share Workers - Open Discussion
- La Plissure du Texte
- On the Persistence of Hardware
- Games Betwixt and Between
- Playing for keeps
- Code: Intellectual Property, Fair Use and Plagiarism - Open Discussion
- Virtual Doppelgangers
- The Big Bang of Electronic Art
- Intimate TV
- From New Media to Old Utopias: ‘Red’ Art in Late Capitalism?
- MIND THE GAP
- (he)artbreaking to the core
- Motion Capture and Dance
- Sniff, Scrape, Crawl - Part 1
- Sniff, Scrape, Crawl - Part 2
- Patchwork Panel
- Data Disinformation
- @China, Virtually Speaking
- Creativity as a Social Ontology
- New Media Archives- New Intelligent Ambiances
- Arabesque, Mandala, Algorithm: A Long History of Generative Art
- Site Specifics: Mobile Media Art and the Contexts of Place
- Borders and Interfaces
- The Media Space: Evolving Media Architecture and Its Legend
- Short:Circuit
- Slowness: Responding to Acceleration through Electronic Arts
- Public Art of the Sustainable City
- Transmedia Narrative
- The Volatility and Stability of WorldMaking as Techné
- Variable reality - inter-formalities in digital/analogue arts
- Compumorphic Art - the computer as muse
- Surveillant Spaces
- Testing New Ground
- Re-rooting Digital Culture- Media Art Ecologies
- Interface Play: Media Environments for Ludic Cyborgs
- BioARTCAMP: Laboratory Ecologies in the Wild West
- Queer Viralities
- The Madness of Methods: Emerging Arts Research Practices
- Emotion Studies in a Contemporary Art Debate
- DON'T HATE THE BUSINESS, BECOME THE BUSINESS!
- Pervasive Media: Practice, Value, Culture
- Travels Through Hyper-Liminality
- Without Sin: Taboo and Freedom within Digital Media
- Hybrid Spatial Experiences
- The Art of Software Cities
- Interart / Intersensorium
- The Institute of Unnecessary Research
- Signs of Life: Human-Robot Intersubjectivities
- NeuroArts
- Chasing Ghosts
- FARFIELD1
- If You See Something...
- VIDA: New Discourses, Tropes and Modes in Art and Artificial Life Research
- Voicing Electronic Arts
- Unsitely Aesthetics
- Crisis Narrative of Landscape
- Tyrannies of Participation
- Hybrid Cultures
- Test_Lab: Summer Sessions 2011
- Sensorium
- FARFIELD2
- Paper Sessions
- Metaverse Papers
- Avatars and Virtual Spaces
- Critical Approaches to Mainstream and Consumption I
- Perfection, Error, Sublime
- Interactivity and Art I
- Sonifying Data, Visualizing Sound
- Cinema after the Digital
- Architecture and the Experience of Digital Spatiality
- Data Visualization: Practice and Aesthetics
- Art and Activism in Digital Age I
- Collaborations across Borders: Physical and Disciplinary
- Social Media and Digital Identities
- Sustainability
- Mobile Media and Wireless Networks
- Interdisciplinary Teaching and New Media Arts
- Augmented Reality in Practice: from Motion Tracking to Live Memory Machines
- Changing Vocabularies of Digital Art
- Visible and Invisible Actors of Interactive Audiovisual Performance
- Robotics I
- Media Histories: Japan
- Body and the Digital Space
- Critical Perspectives on Economies of Art Today
- Philosophy and Ethics of Bioart
- From Typography to Design Interface
- Art, Materiality, Space and Time
- Media Control Interfaces
- Content, Data, and Media
- Interactivity, Space, and Public Space
- Live Coding and Locative Sound Projects
- Media Histories: Europe
- Computer Graphics and Remediation
- Robotics II
- The Art of Biomedical Imaging
- Critical Approaches to Mainstream and Consumption II
- Wearable Technologies
- Locative Media and Social Data
- Theory and Criticism of Interactivity in Electronic Art
- Neuroarts
- Nature, Human, Machine
- Digital Reality and the Perception of Self I
- Digital Media, Space, and Architecture
- The Experience of Film and Documentary
- Nanoart
- Open Source and Intellectual Property Rights
- Media and Contemporary Practices of Sound Art I
- Collaborating as Social Work
- Technology and Cognition
- Bacteria to Elephants: Practices of Bioart
- Computer Art and Curatorial Issues
- Discipline-specific Case Studies in Teaching New Media
- Networked Collaborations
- Interactivity and Art II
- Immersive Environments
- Digital Performance
- Mapping and the Subject as Body
- Notes on the History and Politics of Gameplay
- Photography and the Virtual
- Media and Contemporary Practices of Sound Art II
- Collaborating through Interactive Media
- Digital Reality and the Perception of Self II
- Virtual Reality, Virtual Materiality, Virtual Instrumentality
- Data Visualisation and Media Content
- Art and Activism in Digital Age II
- Urban Ecologies
- Curating and Archiving New Media Art
- Biosynthetics and Body - Machine Relationships
- Game and Movement
- Art - Science Relations
- Mobile Interfaces
- Computing and Aesthetics
- City, Public Space, and Mobile Technologies
- Perspectives on Colonialism and Art
- Mapping and the User Experience
- Exploring and Experimenting with Sound
- Bodies as Bio-Interfaces
- The Uses of Digital Database
- From Still to Moving Image
- Digitization of Biological Data
- Code and Generative Art
- Digital Dance
- Locative Media and Interaction
- Theories of Social Media
- Art, Code and Computation
- Sound and Interaction
- Museums, Archiving, and Interactivity
- Photography and New Media
- Changing Perspectives on Digital Media in Global Age
- Media, Crafting, Fashion
- Technology, Public and Spaces in the City
- Mapping the City and Urban Identity
- Spaces, Bodies, Emergence, and Data in Interactive Art
- Political Discourse on the New Media
- Media, Languages, New Vocabularies
- Tactile, Participatory, Interactive Video
- Creative Industries
- Adopting Traditional Concepts of Beauty with the Digital
- Augmented Spaces
- Workshops
- Ecocaching
- Manual for Image - Object
- Signs of life: robot incubator – an afternoon with the robots
- Cosmopolitics of Food Interactions: Design Fiction on Food Cults
- Labster / Text Collecting
- Open Culture + Wearables Skillshare
- Tales from the City
- NEURALinterface: Mind Music with your Brainwaves
- Supporting a Network of Excellence in Interactive Art
- (DPS) Demand Player Sovereignty
- Musical Live Coding
- D.I.Y. Hypnosis and Hallucination Machines Workshop
- Augmented Istanbul
- Leonardo Education Art Forum
- Building a Breathalyser
- Tactile Noise Machines
- Mirror Garden 3: Twist, Turns and the Myth of Flying
- Build your own USB-MIDI-Interface
- Doris and Barry Meets The GUT Force
- Conservation of Experiences
- Mapping and Reshaping
- Emotional Snapshots
- The OWL Circle
- Weird/Wonderful Street Fair
- Mapping as Walking as Learning to See in the Digital Age
- “Untitled” (Mechanics of Place)
- Community Science: Istanbul 41.04/28.97
- Huggable Nature
- ISType: Gestural Roots
- ISType: The Calligraphic Line
- ISType: Lettering in the Streets of Italy
- ISType: Type Design with FontLab®
- ISType: Publications: A Designers’ Update
- ISType: Typography in Design Curricula
- ISType: Text Invader
- Foaming Ecological Urbanism
- Biosensing and Networked Performance
- When Crafting Leads to Hacking
- Exile Writing
- Touchstone
- The Art Collider (TAC)
- Systemic Feedback
- Swarm_Istanbul
- MINDtouch
- Walkingtools Concepts
- Crossing Over
- Laptop Orchestra
- Brain Drain/Brain Gain
- Mobile Tagging as Tools for Augmented Reality
- Declaration of Sentiments
- Born to be a Still Life
- Audio-visual Experiments with the Overhead Projector
- Reversing Globalisation
- pre-symposium events
- Locations
- Performing Arts Center (SGM)
- Cumhuriyet Art Gallery
- Borusan Muzik Evi
- Borusan Contemporary, Perili Köşk İstanbul
- The Museum of Contemporary Art Zagreb
- Sirket-i Hayriye Art Gallery
- Institut Français d'Istanbul
- Kasa Gallery
- The Netherlands Consulate General
- Empire Cinema
- Nuru Ziya Suites
- Çemberlitaş Hamam
- Sabanci Center, Levent
- Sabanci University Karakoy Communication Center
- Robert College
- Sabanci University
Contact Us
For general inquires contact:
E-mail: ISEA2011@sabanciuniv.edu
For partnerships and synergies contact:
Lanfranco Aceti
Conference Chair and Artistic Director
Sabanci University
Faculty of Arts and Social Sciences
Room 2082
Orhanli/Tuzla
34956 Istanbul
Turkey
E-mail: aceti@sabanciuniv.edu
Phone: +90(216)4839292
