Mike Phillips, Birgitte Aga, Gianni Corino, Simon Lock
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Mass Body Index: Bio-OS, a Biological Operating System |
Annalisa Piccirillo
|
The choreographic Horizons of Isabel Rocamora: “Incalculable” Exiles |
Piibe Piirma
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THE ESTONIAN EXPERIENCE: Non-Institutional Media Art Production in Estonia |
Jeremy Pilcher
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The Rhetorical Art of Data Visualisation |
Ludmila Pimentel
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Digital and Interactive Choreography: Innovative Women in the Dance History |
Leandro Pisano
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The food side of sound aesthetics |
Agnieszka Pokrywka
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Visualizing new media art in Central Eastern Europe |
Søren Pold, Christian Ulrik Andersen
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Digital Art and Culture After Industry? – towards aesthetic business studies |
Anat Pollack
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The Big Bang of Electronic Art: Merging Abstraction and Representation in the Age of Digital Imaging |
Justine Poplin
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Opera & the cult of the DJ |
Gabriela Previdello Orth
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New Media contemporary information paradigms: the reordered memory on FILE Archive structures. |
Francesco Proto, Richard Vickers
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Cityscapes – Exploring the spirit of urban identity |
Mikhail Pushkin
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Beyond Paradigmatic Shift: Mapping Culture and Society of Digital Age |
Melinda Rackham
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Data Trash |
Melinda Rackham
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Terra Virtualis: They are Reality |
Martha Radice, Kim Morgan, Solomon Nagler
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Tracing the City: Exploring the Private Experience of Public Art through Art and Anthropology |
Vanessa Ramos-Velasquez
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Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age |
Jonas Ranft
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A Potential Landscape |
Barbara Rauch
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Emotion Studies in a Contemporary Art Debate (extended panel abstract) |
Barbara Rauch
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Visualising Emotions and Autism |
Claudia Rebola, Patricio Vela, Chauncey Saurus, Tayo Ogunmakin, Jorge Palacio
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Stitchtures: Interactive Art Installation for Social Interventions |
Nicolas Reeves, David St-Onge
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Flying Robotic Arts for HRI and Interface Research |
Jill Walker Rettberg
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The Genealogy of a Creative Community: Why is afternoon the “granddaddy” of hypertext fiction? |
Kate Richards
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Are you really t/here? Affect, affordance and vitality in heterotopii of flows. |
Peter Richardson
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Herding Cats to Infinity |
Morten Riis
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Machine Music Through The Ears Of The Repairman |
Claudio Rivera-Seguel
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Techno-Cultural Asymmetry in Latin America |
Hector Rodriguez
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Gestus |
Elena Giulia Rossi
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The work of art and the internet. New curatorial issues: NETinSPACE – a case study |
Stephanie Rothenberg, Jeff Crouse
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Laborers of Love/LOL: Behind the Scenes |
Chris Rowland
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Aesthetic 3D Rendering of Historic Shipwrecks (An artist’s intervention in maritime archaeology) |
Cynthia-Beth Rubin
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Digital Paint to Digital Photography: the Long Reach of Abstract Expressionism |
Cynthia-Beth Rubin
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Introduction: The Big Bang of Electronic Art: the Merging of Abstraction and Representation in the age of Digital Imaging |
Steve Rushton
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Feedback As Self-performance |
Georg Russegger
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Insecure Territories - Interventions in City Interfaces |
Georg Russegger
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The City as Ludic Interface - Vectors of Vireal Testlabs in Urban Mediatecture |
Susan Elizabeth Ryan
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Virtual Doppelgängers: Embodiment, Morphogenesis, and Transversal Action -- Panel Introduction |
Semi Ryu, Stefano Faralli
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Crying with the virtual |
Gavin Sade
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Suzumushi: A silent future. |
Laura SAINI, Nicolas LISSARRAGUE, Gudrun ALBRECHT, Lucia ROMANI
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Stop-motion animation: towards a realistic 3D camera movement control |
Rie Saito
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GUTAI Movement in Japan and Art Afterwards. Towards New Understanding of Current Media Art |
Melissanthi Saliba
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Moments of Liminal Space: Methodologies and Practices for the Study of Transition |
Marios Samdanis, Yikyung Kim, Soo Hee Lee
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Fashionable Wearables in Digital Performance |
Manthos Santorineos, Stavroula Zoi
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Social media as art and vs art |
Viola Sarnelli
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Cosmopolitanism and Narration: the Digital Tale |
Mika Satomi, Hannah Perner-Wilson
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Future Master craftsmanship: Where We Want Electronic Textile Crafts To Go |
Nermin Saybasili
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The Magnetic Field of Audiovisual Art Practices |
Teresita Scalco
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The interactive and immersive experiences shape the new architectural language. |
Margriet Schavemaker, Hein Wils
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Is Augmented Reality the ultimate museum app? Some strategic considerations |
Alejandro Schianchi
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Error in apparatus as aesthetic value |
Lea Schick, Anne Sophie Witzke
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Powering Ecological Futures |
Sebastian Schmidt, Thomas Alexander Troge, Denis Lorrain
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Conceptual Relations: Musical Representations do not need Music Theory |
Christian Schneider, Stefan Müller Arisona
|
Responsive Illuminated Architecture |
Adam Schrag
|
War & Art in the Screenic Era |
Bettina Schülke
|
INTERACTIVE TECHNOTEXTILES - The hybrid between Textiles and Technology |
Ferhat Şen, Reha Dişçioğlu
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Design of an Interactive Cultural Heritage Experience: The Historical Orchestra |
Timothy J. Senior, Florian Wiencek
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ART<>SCIENCE: An Ontology |
Margaret Seymour
|
I, Robot: rethinking Jack Burnham’s systems esthetics |
Alan N. Shapiro
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Improving the Information Society Through Awareness of Languages |
Leslie Sharpe
|
North, Interrupted |
Geoffrey Shea, Michael Longford, Elaine Biddiss
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Art and Play in Interactive Projections: Three Cases |
Pip Shea
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Visualising Invisible Networks as Collaborative Arts Practice |
Duncan Shingleton
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Object Geography: The Internet of Things |
Kate Sicchio
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Choreographing Topological Spaces within Dance Performance with Real-time Video |
Cicero Silva, Brett Stalbaum
|
Walkingtools concepts: rethinking locative media |
Cara-Ann Simpson, James Laird, Ben Landau, Eva Cheng
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Geo Sound Helmets: breath-controlled installation |
Carl Skelton
|
Betaville: The view from New Brooklyn |
Helen Sloan
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Data Disinformation: Data Manipulation and Imagemaking |
Susan Sloan
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Cleaning and Character in Motion Capture Portraits |
Tegan Smith
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Haul Out – Goodbyes |