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Mike Phillips, Birgitte Aga, Gianni Corino, Simon Lock
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Mass Body Index: Bio-OS, a Biological Operating System |
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Annalisa Piccirillo
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The choreographic Horizons of Isabel Rocamora: “Incalculable” Exiles |
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Piibe Piirma
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THE ESTONIAN EXPERIENCE: Non-Institutional Media Art Production in Estonia |
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Jeremy Pilcher
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The Rhetorical Art of Data Visualisation |
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Ludmila Pimentel
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Digital and Interactive Choreography: Innovative Women in the Dance History |
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Leandro Pisano
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The food side of sound aesthetics |
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Agnieszka Pokrywka
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Visualizing new media art in Central Eastern Europe |
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Søren Pold, Christian Ulrik Andersen
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Digital Art and Culture After Industry? – towards aesthetic business studies |
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Anat Pollack
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The Big Bang of Electronic Art: Merging Abstraction and Representation in the Age of Digital Imaging |
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Justine Poplin
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Opera & the cult of the DJ |
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Gabriela Previdello Orth
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New Media contemporary information paradigms: the reordered memory on FILE Archive structures. |
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Francesco Proto, Richard Vickers
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Cityscapes – Exploring the spirit of urban identity |
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Mikhail Pushkin
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Beyond Paradigmatic Shift: Mapping Culture and Society of Digital Age |
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Melinda Rackham
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Data Trash |
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Melinda Rackham
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Terra Virtualis: They are Reality |
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Martha Radice, Kim Morgan, Solomon Nagler
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Tracing the City: Exploring the Private Experience of Public Art through Art and Anthropology |
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Vanessa Ramos-Velasquez
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Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age |
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Jonas Ranft
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A Potential Landscape |
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Barbara Rauch
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Emotion Studies in a Contemporary Art Debate (extended panel abstract) |
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Barbara Rauch
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Visualising Emotions and Autism |
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Claudia Rebola, Patricio Vela, Chauncey Saurus, Tayo Ogunmakin, Jorge Palacio
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Stitchtures: Interactive Art Installation for Social Interventions |
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Nicolas Reeves, David St-Onge
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Flying Robotic Arts for HRI and Interface Research |
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Jill Walker Rettberg
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The Genealogy of a Creative Community: Why is afternoon the “granddaddy” of hypertext fiction? |
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Kate Richards
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Are you really t/here? Affect, affordance and vitality in heterotopii of flows. |
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Peter Richardson
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Herding Cats to Infinity |
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Morten Riis
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Machine Music Through The Ears Of The Repairman |
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Claudio Rivera-Seguel
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Techno-Cultural Asymmetry in Latin America |
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Hector Rodriguez
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Gestus |
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Elena Giulia Rossi
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The work of art and the internet. New curatorial issues: NETinSPACE – a case study |
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Stephanie Rothenberg, Jeff Crouse
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Laborers of Love/LOL: Behind the Scenes |
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Chris Rowland
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Aesthetic 3D Rendering of Historic Shipwrecks (An artist’s intervention in maritime archaeology) |
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Cynthia-Beth Rubin
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Digital Paint to Digital Photography: the Long Reach of Abstract Expressionism |
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Cynthia-Beth Rubin
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Introduction: The Big Bang of Electronic Art: the Merging of Abstraction and Representation in the age of Digital Imaging |
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Steve Rushton
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Feedback As Self-performance |
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Georg Russegger
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Insecure Territories - Interventions in City Interfaces |
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Georg Russegger
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The City as Ludic Interface - Vectors of Vireal Testlabs in Urban Mediatecture |
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Susan Elizabeth Ryan
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Virtual Doppelgängers: Embodiment, Morphogenesis, and Transversal Action -- Panel Introduction |
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Semi Ryu, Stefano Faralli
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Crying with the virtual |
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Gavin Sade
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Suzumushi: A silent future. |
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Laura SAINI, Nicolas LISSARRAGUE, Gudrun ALBRECHT, Lucia ROMANI
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Stop-motion animation: towards a realistic 3D camera movement control |
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Rie Saito
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GUTAI Movement in Japan and Art Afterwards. Towards New Understanding of Current Media Art |
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Melissanthi Saliba
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Moments of Liminal Space: Methodologies and Practices for the Study of Transition |
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Marios Samdanis, Yikyung Kim, Soo Hee Lee
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Fashionable Wearables in Digital Performance |
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Manthos Santorineos, Stavroula Zoi
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Social media as art and vs art |
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Viola Sarnelli
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Cosmopolitanism and Narration: the Digital Tale |
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Mika Satomi, Hannah Perner-Wilson
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Future Master craftsmanship: Where We Want Electronic Textile Crafts To Go |
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Nermin Saybasili
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The Magnetic Field of Audiovisual Art Practices |
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Teresita Scalco
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The interactive and immersive experiences shape the new architectural language. |
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Margriet Schavemaker, Hein Wils
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Is Augmented Reality the ultimate museum app? Some strategic considerations |
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Alejandro Schianchi
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Error in apparatus as aesthetic value |
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Lea Schick, Anne Sophie Witzke
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Powering Ecological Futures |
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Sebastian Schmidt, Thomas Alexander Troge, Denis Lorrain
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Conceptual Relations: Musical Representations do not need Music Theory |
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Christian Schneider, Stefan Müller Arisona
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Responsive Illuminated Architecture |
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Adam Schrag
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War & Art in the Screenic Era |
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Bettina Schülke
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INTERACTIVE TECHNOTEXTILES - The hybrid between Textiles and Technology |
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Ferhat Şen, Reha Dişçioğlu
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Design of an Interactive Cultural Heritage Experience: The Historical Orchestra |
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Timothy J. Senior, Florian Wiencek
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ART<>SCIENCE: An Ontology |
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Margaret Seymour
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I, Robot: rethinking Jack Burnham’s systems esthetics |
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Alan N. Shapiro
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Improving the Information Society Through Awareness of Languages |
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Leslie Sharpe
|
North, Interrupted |
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Geoffrey Shea, Michael Longford, Elaine Biddiss
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Art and Play in Interactive Projections: Three Cases |
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Pip Shea
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Visualising Invisible Networks as Collaborative Arts Practice |
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Duncan Shingleton
|
Object Geography: The Internet of Things |
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Kate Sicchio
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Choreographing Topological Spaces within Dance Performance with Real-time Video |
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Cicero Silva, Brett Stalbaum
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Walkingtools concepts: rethinking locative media |
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Cara-Ann Simpson, James Laird, Ben Landau, Eva Cheng
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Geo Sound Helmets: breath-controlled installation |
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Carl Skelton
|
Betaville: The view from New Brooklyn |
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Helen Sloan
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Data Disinformation: Data Manipulation and Imagemaking |
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Susan Sloan
|
Cleaning and Character in Motion Capture Portraits |
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Tegan Smith
|
Haul Out – Goodbyes |
