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Sean Cubitt
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Time to Live |
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Sara Diamond
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Data Visualization: Materiality and Mediation [1] |
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Oliver Grau
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Media Art explores Image Histories: New Tools for our Field |
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Annie Abrahams
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Exercises in remote collaboration - Huis Clos / No Exit - (or, "how cyberformance reveals intimacy") |
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Gorkem Acaroglu
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The Digital Contamination of Dramatic Theatre: Subject Technology in Exception |
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Lanfranco Aceti, Deniz Cem Onduygu, Ozden Sahin
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The Metaphysics of CMS Systems in Posthuman Indesign Files |
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Romy Achituv
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Algorithms as Structural Metaphors: Reflections on the Digital-Cultural Feedback Loop |
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Patricia Adams
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Corporeal_Expressions: tracing both biomedical and emotional links from an artistic perspective |
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Patricia Adams
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Shivering Boundaries |
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Patricia Adams, Andrew Burrell
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Urban Ecologies: “In the City of the Apis Queen” |
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Josefina Lopez Aguayo
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NEW MEDIA ART INSTALLATIONS AS COGNITIVE SPACES: AN APPROACH FROM THE PERSPECTIVE OF DISTRIBUTED COGNITION |
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Almila Akdağ, Ben Schouten
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CYBERNETIC SERENDIPITY REVISITED: INTERACTION, PLAY & FUN FROM THE UNIVERSE OF ELECTRONIC ART TO METAVERSE |
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Tony Allard
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Mutate or Die: a William S. Burroughs Bio-technological Bestiary |
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Jamie Allen, Rachel Clarke, Areti Galani, Kamila Wajda
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Creative Ecologies in Action:
Technology & The Workshop-as-Artwork |
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Alo Allik
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f(x) - an audiovisual performance environment |
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Astrid Almkhlaafy
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Paying One’s Respect to a Mountain |
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Mohammad Majid al-Rifaie, Ahmed Aber, Remigijus Raisys
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Swarming Robots and Possible Medical Applications |
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Franck Ancel
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Ten Years After |
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Christian Ulrik Andersen, Søren Pold
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Is there a Conceptual Gap Between Art and Business? |
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Christian Ulrik Andersen, Søren Pold
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The Kind of Problem a Software City Is |
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Kristina Andersen, Danielle Wilde
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Circles and Props - Making Unknown Technology |
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Lisa Anderson
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Crisis Narrative of Landscape |
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Claudia Robles Angel
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EEG data in Interactive Art |
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Kathrine Anker
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A Cybersemiotic Approach to Technoetic Arts - new vocabularies in transdisciplinary research |
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Alexandra Antonopoulou , Eleanor Dare
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PHI TERRITORIES: NEIGHBOURHOODS OF COLLABORATION AND PARTICIPATION |
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Rui Filipe Antunes, Frederic Fol Leymarie
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Generative narrative in Computational Ecosystems |
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Gavin Artz
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Art, Technology and Business: Trans–disciplinary teams in the arts |
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Isabelle Arvers
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Voices in Machinima as a Situationist Détournement of Video and Computer Games |
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Erin Ashenhurst
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Pixel Perfect: Performativity and Self-Portraiture |
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Leci Augusto
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Reengineering of the Sensorium and Imaginary Landscape: Mixed Reality |
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Elif Ayiter, Selim Balcısoy, Murat Germen
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Hyperpresent Avatars |
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Elif Ayiter, Max Moswitzer, Selavy Oh
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“LPDT2”: La Plissure du Texte 2 |
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Birgit Bachler
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A Cozy Place for Invisible Friends |
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Pat Badani
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“A maze about maize: A Mesoamerican divinity and its transgenic avatars.” |
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Jan Baetens
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Reading La Plissure du Texte "backwards" |
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Bridget Baird, Özgür Izmirli, Andrea Wollensak
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DEEP/PLACE: site-based immersive history |
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Camille Baker
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Tactile Video Love Letters: finding new modalities for non-verbal communication |
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Anna Barros
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NANOART- SCIENCE AND MAGIC |
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Herman Bashiron Mendolicchio
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Digital Mediterranean and New Media Dialogue |
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Amanda Beech
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What Would We Mean By Realism? |
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Tracey Meziane Benson
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Remotely connected, remotely creative: Leapfrogging the digital divide |
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Andy Best
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T/Act - social empowerment through interaction with media artworks |
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Joëlle Bitton, Atau Tanaka
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CO-CREATIVE USE OF DIGITAL TECHNOLOGIES IN A POSTCOLONIAL CONTEXT |
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Lisa E. Bloom
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The Aesthetics of Disappearance: Climate Change, Antarctica and the Contemporary Sublime in the work of Anne Noble, Connie Samaras and Judit Hersko |
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Benjamin Bogart, Philippe Pasquier
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Context Machines: A series of autonomous self-organizing site-specific artworks. |
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Christin Bolewski
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Journeys in Travel – An Infinite Digital Database Film Project |
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Lee Boot, David Gurzick, Stacy Arnold
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Alternative Approaches to Representing Knowledge in the Human Environment |
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Marie-Pier Boucher
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A Response To Life's Emergencies: BioARTCAMP as Technique of Attachment to Life |
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Marie-Julie Bourgeois, Roland Cahen
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Crossing jungle : an analytical and experimental approach of activation profiles for audio-graphic navigation in clusters of leaves |
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Morten Breinbjerg
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‘Touched Echo’ – The Sense of a Ghost |
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Andre Brodyk
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‘aitiai’ concerning Genetic art |
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Karla Brunet, Juan Freire
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Data Visualization and eco-media content. Media Art produced at Digital Narratives workshops |
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Roberta Buiani
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Microscopic transformations: scientific visualization, biopower, and the arts |
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Brogan Bunt
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Computational Drawing: Code and Invisible Operation |
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Stuart Bunt
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Cybernetics and the interaction between pure and applied sciences and the humanities |
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David R. Burns
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Dematerialization, Media, and Memory in the Digital Age |
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Deborah Burns
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Blue Sky Vineyard: Opportunities for Subversion of the Power Structure in the Surveillance Assemblage |
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Mark Butler
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Playful Potential – A Short Geneaology of Ludic Interfaces |
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Dan Buzzo
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Things to do in the Digital Afterlife when you're dead |
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Monica Calignano
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The Woman’s I/Eye: ‘In-Between’ Strategies in the works of Shirin Neshat and Trinh T. Minh-Ha |
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Özgür Caliskan
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Techno-human: New Form of Hybrid Human; from Science-fiction Cinema to the Post-modern Society |
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Sheena Calvert
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Collateral Damage: Clouds, Criminality and Chatbots |
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Federica Caporaso
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SHIRIN NESHAT'S WOMEN OF ALLAH: PHOTOGRAPHY AS THE LANGUAGE OF THE UNSPEAKABLE |
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Pier Luigi Capucci
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Simulation beyond perspective. The discourse of holography as a tool for imagery, art, media studies and science |
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Moisés Mañas Carbonell, María José Martínez de Pisón Ramón
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Ludic strategies in public environments |
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Micha Cárdenas, Elle Mehrmand
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I want to touch you: Transreal Aesthetics in virus.circus |
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Silvana Carotenuto
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(Con)Figurations of Exile |
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Miguel Carvalhais
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Procedural Taxonomy: An Analytical Model for Artificial Aesthetics |
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Ana Carvalho
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The Ephemeral in Audiovisual Realtime Practices: An Analysis into the Possibilities for its Documentation |
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Margarida Carvalho
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Networked Proximities |