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- UNCONTAINABLE: Broken Stillness
- UNCONTAINABLE: Hyperstrata
- UNCONTAINABLE: Second Nature
- UNCONTAINABLE: Signs of life: robot incubator
- UNCONTAINABLE: Terra Virtualis
- UNCONTAINABLE: The World Is Everything That Is The Case
- ISEA Future Forum
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- Films, Videos and New Media: A Canadian Overview
- Eco Sapiens Round Table
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- ISEA2011 and Kurye Video: Space Invaders
- Southern Ocean Studies
- Nuru Ziya: ISEA2011 Lounge
- Glitter and Glory: About the Longing for Glamour
- s0: an audiovisual performance
- TERRORDROME. Signals From Outside
- Borusan Contemporary, Perili Köşk İstanbul
- Madde-Işık II
- Phill Niblock and Thomas Ankersmit Performance
- ISEA2011 Istanbul Digital Arts Market: An International Networking Event
- NAME Readymade
- International Digital Media, Animation & Moving Images Screening
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- The Beauty & the Geeks
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- Art as Media as Display, Biennials as Platform for Social Change
- Secure Insecurity
- Hackerspaces
- New Media Art Education in Central and Eastern Europe in the Last Two Decades
- Visual Effects Remixed
- Sense of Art
- Serendipity is Dead…. Long Live Serendipity
- How dare you? Acts of Deviance and Strategies of Discreditation
- Body Image to/from Media. Rethinking Japanese Avant-Garde Art.
- EAST & WEST
- Serious Animation
- Don’t Anthropomorpise Me
- Open Culture + Wearables
- Soundwwwalk Performance Panel
- Playing the non-playful
- An Alembic of Transformation
- 6x6/36 : An Artists Book/Exhibition project
- Zones of Contact and Fields of Consistency in Electronic Literature
- Beyond Locative: Media Arts after the Spatial Turn
- Through the Roadblocks: Technology and Orality
- Think BETA: Participative Evolution of Smart Cities
- The Matter with Media
- Share Workers - Open Discussion
- La Plissure du Texte
- On the Persistence of Hardware
- Games Betwixt and Between
- Playing for keeps
- Code: Intellectual Property, Fair Use and Plagiarism - Open Discussion
- Virtual Doppelgangers
- The Big Bang of Electronic Art
- Intimate TV
- From New Media to Old Utopias: ‘Red’ Art in Late Capitalism?
- MIND THE GAP
- (he)artbreaking to the core
- Motion Capture and Dance
- Sniff, Scrape, Crawl - Part 1
- Sniff, Scrape, Crawl - Part 2
- Patchwork Panel
- Data Disinformation
- @China, Virtually Speaking
- Creativity as a Social Ontology
- New Media Archives- New Intelligent Ambiances
- Arabesque, Mandala, Algorithm: A Long History of Generative Art
- Site Specifics: Mobile Media Art and the Contexts of Place
- Borders and Interfaces
- The Media Space: Evolving Media Architecture and Its Legend
- Short:Circuit
- Slowness: Responding to Acceleration through Electronic Arts
- Public Art of the Sustainable City
- Transmedia Narrative
- The Volatility and Stability of WorldMaking as Techné
- Variable reality - inter-formalities in digital/analogue arts
- Compumorphic Art - the computer as muse
- Surveillant Spaces
- Testing New Ground
- Re-rooting Digital Culture- Media Art Ecologies
- Interface Play: Media Environments for Ludic Cyborgs
- BioARTCAMP: Laboratory Ecologies in the Wild West
- Queer Viralities
- The Madness of Methods: Emerging Arts Research Practices
- Emotion Studies in a Contemporary Art Debate
- DON'T HATE THE BUSINESS, BECOME THE BUSINESS!
- Pervasive Media: Practice, Value, Culture
- Travels Through Hyper-Liminality
- Without Sin: Taboo and Freedom within Digital Media
- Hybrid Spatial Experiences
- The Art of Software Cities
- Interart / Intersensorium
- The Institute of Unnecessary Research
- Signs of Life: Human-Robot Intersubjectivities
- NeuroArts
- Chasing Ghosts
- FARFIELD1
- If You See Something...
- VIDA: New Discourses, Tropes and Modes in Art and Artificial Life Research
- Voicing Electronic Arts
- Unsitely Aesthetics
- Crisis Narrative of Landscape
- Tyrannies of Participation
- Hybrid Cultures
- Test_Lab: Summer Sessions 2011
- Sensorium
- FARFIELD2
- Paper Sessions
- Metaverse Papers
- Avatars and Virtual Spaces
- Critical Approaches to Mainstream and Consumption I
- Perfection, Error, Sublime
- Interactivity and Art I
- Sonifying Data, Visualizing Sound
- Cinema after the Digital
- Architecture and the Experience of Digital Spatiality
- Data Visualization: Practice and Aesthetics
- Art and Activism in Digital Age I
- Collaborations across Borders: Physical and Disciplinary
- Social Media and Digital Identities
- Sustainability
- Mobile Media and Wireless Networks
- Interdisciplinary Teaching and New Media Arts
- Augmented Reality in Practice: from Motion Tracking to Live Memory Machines
- Changing Vocabularies of Digital Art
- Visible and Invisible Actors of Interactive Audiovisual Performance
- Robotics I
- Media Histories: Japan
- Body and the Digital Space
- Critical Perspectives on Economies of Art Today
- Philosophy and Ethics of Bioart
- From Typography to Design Interface
- Art, Materiality, Space and Time
- Media Control Interfaces
- Content, Data, and Media
- Interactivity, Space, and Public Space
- Live Coding and Locative Sound Projects
- Media Histories: Europe
- Computer Graphics and Remediation
- Robotics II
- The Art of Biomedical Imaging
- Critical Approaches to Mainstream and Consumption II
- Wearable Technologies
- Locative Media and Social Data
- Theory and Criticism of Interactivity in Electronic Art
- Neuroarts
- Nature, Human, Machine
- Digital Reality and the Perception of Self I
- Digital Media, Space, and Architecture
- The Experience of Film and Documentary
- Nanoart
- Open Source and Intellectual Property Rights
- Media and Contemporary Practices of Sound Art I
- Collaborating as Social Work
- Technology and Cognition
- Bacteria to Elephants: Practices of Bioart
- Computer Art and Curatorial Issues
- Discipline-specific Case Studies in Teaching New Media
- Networked Collaborations
- Interactivity and Art II
- Immersive Environments
- Digital Performance
- Mapping and the Subject as Body
- Notes on the History and Politics of Gameplay
- Photography and the Virtual
- Media and Contemporary Practices of Sound Art II
- Collaborating through Interactive Media
- Digital Reality and the Perception of Self II
- Virtual Reality, Virtual Materiality, Virtual Instrumentality
- Data Visualisation and Media Content
- Art and Activism in Digital Age II
- Urban Ecologies
- Curating and Archiving New Media Art
- Biosynthetics and Body - Machine Relationships
- Game and Movement
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- Mobile Interfaces
- Computing and Aesthetics
- City, Public Space, and Mobile Technologies
- Perspectives on Colonialism and Art
- Mapping and the User Experience
- Exploring and Experimenting with Sound
- Bodies as Bio-Interfaces
- The Uses of Digital Database
- From Still to Moving Image
- Digitization of Biological Data
- Code and Generative Art
- Digital Dance
- Locative Media and Interaction
- Theories of Social Media
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- Sound and Interaction
- Museums, Archiving, and Interactivity
- Photography and New Media
- Changing Perspectives on Digital Media in Global Age
- Media, Crafting, Fashion
- Technology, Public and Spaces in the City
- Mapping the City and Urban Identity
- Spaces, Bodies, Emergence, and Data in Interactive Art
- Political Discourse on the New Media
- Media, Languages, New Vocabularies
- Tactile, Participatory, Interactive Video
- Creative Industries
- Adopting Traditional Concepts of Beauty with the Digital
- Augmented Spaces
- Workshops
- Ecocaching
- Manual for Image - Object
- Signs of life: robot incubator – an afternoon with the robots
- Cosmopolitics of Food Interactions: Design Fiction on Food Cults
- Labster / Text Collecting
- Open Culture + Wearables Skillshare
- Tales from the City
- NEURALinterface: Mind Music with your Brainwaves
- Supporting a Network of Excellence in Interactive Art
- (DPS) Demand Player Sovereignty
- Musical Live Coding
- D.I.Y. Hypnosis and Hallucination Machines Workshop
- Augmented Istanbul
- Leonardo Education Art Forum
- Building a Breathalyser
- Tactile Noise Machines
- Mirror Garden 3: Twist, Turns and the Myth of Flying
- Build your own USB-MIDI-Interface
- Doris and Barry Meets The GUT Force
- Conservation of Experiences
- Mapping and Reshaping
- Emotional Snapshots
- The OWL Circle
- Weird/Wonderful Street Fair
- Mapping as Walking as Learning to See in the Digital Age
- “Untitled” (Mechanics of Place)
- Community Science: Istanbul 41.04/28.97
- Huggable Nature
- ISType: Gestural Roots
- ISType: The Calligraphic Line
- ISType: Lettering in the Streets of Italy
- ISType: Type Design with FontLab®
- ISType: Publications: A Designers’ Update
- ISType: Typography in Design Curricula
- ISType: Text Invader
- Foaming Ecological Urbanism
- Biosensing and Networked Performance
- When Crafting Leads to Hacking
- Exile Writing
- Touchstone
- The Art Collider (TAC)
- Systemic Feedback
- Swarm_Istanbul
- MINDtouch
- Walkingtools Concepts
- Crossing Over
- Laptop Orchestra
- Brain Drain/Brain Gain
- Mobile Tagging as Tools for Augmented Reality
- Declaration of Sentiments
- Born to be a Still Life
- Audio-visual Experiments with the Overhead Projector
- Reversing Globalisation
- pre-symposium events
- Locations
- Performing Arts Center (SGM)
- Cumhuriyet Art Gallery
- Borusan Muzik Evi
- Borusan Contemporary, Perili Köşk İstanbul
- The Museum of Contemporary Art Zagreb
- Sirket-i Hayriye Art Gallery
- Institut Français d'Istanbul
- Kasa Gallery
- The Netherlands Consulate General
- Empire Cinema
- Nuru Ziya Suites
- Çemberlitaş Hamam
- Sabanci Center, Levent
- Sabanci University Karakoy Communication Center
- Robert College
- Sabanci University
Asst Prof Ina Conradi Chavez
User Information
Affiliation
Nanyang Technological University, School of Art Design and Media
Links
Papers
Paper Sessions
Ina’s current research undertaken at the Nanyang Technological University, at the School of Art, Design and Media, in Singapore, is continuing into exploring image-making methodologies on a larger scale, creating illusions that transform the viewer’s perception of actual space in a synthesis of the real and virtual. Drawing on the ideas of the merge of digital painting and avant-garde filmmaking and sound cultures, her current work aims to craft meaningful, immersive, interactive and 3D animated installation using digital image, seeking innovative convergence of art and technology to transform spaces into novel experiences. Her research explores: 1) experimental and immersive abstract computer animation; 2) responsive and reactive painted surfaces with imagery integrating experimental 3D stereo animation; 3) oversized image creation using algorithmic paint strokes; 4) high resolution computer rendering technique; 5) advanced print prototyping and finishing technique.
Ina Conradi was born in Belgrade, Serbia. Currently lives and works between Los Angeles and Singapore. Ina received her B.F.A. Textile Design from the University of Belgrade, and M.F.A. in Art, at the University of California at Los Angeles. She continued studies in Tokyo and Kyoto, as a Japan Foundation Fellow. Ina is a member of Singapore-China Association for Advancement of Science and Technology (SCAAST), Union of Slovene Fine Art Arts Association (ZDSLU), and is Japan Foundation Fellow since 1991. She has been teaching at California State University Long Beach, LASALLE College of the Arts, Singapore and since 2007 till present in the School of Art Design and Media at the Nanyang Technological University, Singapore.
Upcoming Presentations
- Paper Title: The Undiscovered Country, The Art of Pictorial 3-D Stereo Animation, International Conference on CyberWorlds 2011, Special Session: Arts and Virtual Worlds, Chair Dr. Gianluca Mura, 2011, 4‐6 October 2011, Banff, Alberta, Canada. Organized by the Department of Computer Science, University of Calgary
- Paper Title: Visual Resonance: Fine Art and 3D Stereo Pictoriality, 8th International Conference Computer Graphics, Imaging and Visualization, cgiv11, Nanyang Technological University, NTU Singapore, 16, 17 - 19 August 2011
- Paper Title: Stereo Animated Pictorial Space: Towards new aesthetics in contemporary painting, 17th International Symposium on Electronic Art, ISEA 2011 Istanbul, 14-21 September 2011
- Presentation at the Department of Industrial Design Linz (Kunstuniversität Linz), Linz, Austria,16 June 2011
- Paper Title: Art at the edges of Materiality, 24th International Conference on Computer Animation and Social Agents, CASA 2011, Workshop on Emotion-based Interaction, 26-28 May2011,University of Electronic Science and Technology, (UESTC), Chengdu, China
- Paper Title: Digital Imaging in Singapore, Internal External, 16th International Symposium on Electronic Art, ISEA2010 RUHR, Germany, 20-29 August 2010
Exhibitions
- Ars Electronica Festival 2011, Deep Space Live Ina Conradi (US/SG), Mark Chavez (US/SG), Yoon Wai Cheong Davier (SG), Tan Cheng Quan Josh (SG) Le Phénomène Atmospherique is an impressive film about meteorological phenomena. Dreams combines digital drawings with experimental animation, and invites viewers to go on a kaleidoscopic journey into abstract worlds of imagery, 31.August 2011
- Port Of Call Selected Works By Faculty from Nanyang Technological University, School of Art, Design and Media, Guest Curator Robert B Epp, ADM Gallery 1&2, Nanyang Technological University,
Singapore, 22 February -15 April 2010 - Inaugural Corporeal Kaledioscope, Attakkalari India Biennial 2011, International Contemporary Dance and Digital Arts Festival, National Gallery of Modern Art, Bangalore, organized by Attakkalari Centre for Movement Arts, 28 January-6 February 2011.
- Dimension 3 International S-3D and New images forum --Dimension 3 Festival, Seine-Saint –Denis, France, 1- 3 June 2010.
- Exhibit Snap to Grid 09, Los Angeles Centre for Digital Art, Los Angeles, CA, USA, 12 November - 05 December 2009
- A solo exhibition by Ina Conradi, Kyoto Venue: International Contemporary Textile Art Centre, GGEX, Kyoto, Kotobuki Bldg, Kyoto, Japan, 18 July 31 August 2009.
- Internal External, A solo exhibition by Ina Conradi, Post-Museum, independent cultural and social space a ground-up project initiated by Singaporean curatorial team p-10, Singapore, 13 February -3 March 2009
- PIXELPOPS! 2008, Venue Krannert Art Museum University of Illinois at Urbana-Champaign, University of Illinois, USA
- Snap to Grid 08, Los Angeles Center For Digital Art, Los Angeles Center For Digital Art, 107 West Fif Recent Exhibitions and Screening th Street, Los Angeles, CA, USA, 9 October -1 November 2008
- D-ART 2008, 5th International Conference Computer Graphics, Imaging and Visualization CGIV 08, University Sains Malaysia (USM) Penang, Malaysia, 25- 28 August 2008
- IMI/ADM Demo-Graphics, ISEA Conference /IMI NTU, Nanyang Technological University, School of Art Design and Media, Singapore, ART VIDEO screening of Dreams /3D animation, 27 August 2008Recent Exhibitions and Screenings



